Bloodstained: Curse of the Moon 2 is a side-scrolling platformer released for Nintendo Switch, PlayStation 4, Xbox One, and PC. The sequel to 2018’s Bloodstained: Curse of the Moon, this Castlevania-throwback experience features new characters, stages, and even 2-player co-op. Having recently beaten the game’s Final Chapter, I’ll briefly discuss the best and not-so-best parts of ArtPlay and IntiCreates’ latest title.
For anyone wondering, Koji Igarashi‘s studio, ArtPlay, developed the spiritual successor to Castlevania, Bloodstained: Ritual of the Night. Inti Creates, known for Mega Man Zero and Gunvolt, developed the 8-bit Curse of the Moon titles. While they feature similar characters and settings, Curse of the Moon’s storyline spins off from Ritual of the Night’s. Thus, the two are not interetwined.
While I find CotM 2 to be quite an improvement over the first game, I think it still clings to some of the previous title’s fundamental flaws. For one, I don’t really need an excuse to replay a game just for a few different gimmicks. If I want to replay the game, i would rather do it on my own terms instead of being cheesed into unlocking the true ending. That aside, however, its presentation offers a stellar job with boss battles, levels, and gameplay.
Bloodstained: Curse of the Moon 2 follows the plot of the first title. However, Zangetsu is now accompanied by new companions. These include Dominique, the exorcist from Bloodstained: Ritual of the Night, a sniper named Robert, and a mech-piloting corgi named Hachi.
The story’s straightforward narrative involves going to a castle and slaying the demons to save the world. However, it takes some interesting twists within the game’s replay formula. Each one follows an ending, a new chapter, and an opening. Each of these chapters also affects the lineup of your party.
While little changes regarding the level designs, the final boss will be altered in both Chapter 2 and the Final Chapter. There are four different chapters and the final one features the true ending. Additionally, some of the dialogue among party members ends up rather humorous. Between that and the cutscenes that play between chapters, it becomes a bit more worth replaying the chapters with a slight change of pace.
Much like its predecessor, Bloodstained follows the classic NES Castlevania aesthetic. The 8-bit title features an array of gorgeous colors and boss animations. Similar to Shovel Knight, the game presents various levels, bosses, and design choices far surpassing the NES’ own capabilities.
The chiptune music provides a selection of fast-paced music fitting for a Castlevania-esque title. I found the tunes to be catchy and at times quite engaging, such as The Demon’s Crown. I was also quite fond of the boss theme.
The 2D action gameplay features platforming, the ability to switch between multiple characters, and exploring non-linear stages. This means you can choose different paths to clear the stage depending on the characters you have available. Additionally, each character has their own playstyle.
Unfortunately, I was not at all fond of using Robert. While he served to be a sniper with long-range capabilities, he had no way of protecting himself up close. He felt woefully out of place in this game since his mechanics made clearing stages or bosses extremely difficult if not impossible.
Another slight issue I had was with Zangetsu. He gains a more powerful sword later in the game which gives him vertical slashe and multi-strikes. After Chapter 2, however, if the player didn’t hunt down the secret sword, they would lose it to the basic Zanmatou in the EX Episode. I feel downgrading abilities from a player is a big no-no.
Bloodstained also once again goes the route of “beat game and replay” ad nauseam. They try to write a different chapter of the tale but you’re really just repeating the game again with a slightly different roster in the 2nd chapter or the CotM 1 cast in the EX Chapter. By the final chapter, you have everyone, albeit briefly, to collect parts to reach the final level. But you’re just doing the same stages over again.
The developers would benefit greatly from creating more new stages to go with each stage rather than force the player to do the same game four times to get the final ending. Sonic Heroes is one example of a game that makes the player replay the exact same game, with slight differences, just to get the best ending.
I will admit that I greatly enjoyed the co-op in this title. The 2-player co-op allows players to jump in and exit anytime. While it’s limited to offline play, it still offers players to work together to defeat bosses or even access hidden areas.
Another good part was the difficulty level. The Veteran difficulty was tough as nails. Casual Mode offers its own challenge as the stage layout and enemies don’t change. After Episode 2, I switched to Casual Mode because I didn’t feel any need to play the same game again. I just wanted to finish the story. Furthermore, the bosses just become HP sponges on later chapters and it’s no longer enjoyable to fight them and mimic the same pattern each time.
Bloodstained does a great job of presenting a classic 2D platforming experience. However, it still relies heavily on gimmicks like forced replay or unbalanced characters in a side-scroller. Even compared to Castlevania III: Dracula’s Curse, it was at least possible to solo the game with Trevor, Sypha, Grant, or Alucard.
Despite these mild shortcomings, Circle of the Moon 2 is well-worth the purchase. Even if it’s just one playthrough, you’ll surely find an enjoyable challenge and experience through the title. If you’re missing classic 2D Castlevania action or just enjoyed the first Bloodstained: Curse of the Moon title, it’s recommended giving it a try. I found the level designs to be vastly improved and more varied than the first Curse of the Moon title.
Whether you decide to continue with the replay chapters or not is up to you. However, I recommend at least playing through it once to all classic gaming fans who seek a real challenge.
Sega‘s heralded JRPG, Skies of Arcadia, originally released for the Dreamcast in 2000. When the Sega Dreamcast ended its early run in the console market, Sega opted to port some of its hit Dreamcast titles to consoles of the era. Among them included the JRPG, rebranded now as Skies of Arcadia: Legends, for the Nintendo GameCube.
Skies of Arcadia starts the Sky Pirate, Vyse, and his childhood friend, Fina. They’re Sky Pirates initially taking jobs before fighting against the Valuan Empire. Along the way, they meet Fina, a girl from the Silver Civilization, and more companions along the way. During their resistance against the empire, they’ll build a crew for their airship, fight through dungeons, and even battle airships.
While Skies of Arcadia was loved for its character design, soundtrack, and setting, hindsight is only 20/20. Despite its wondrous and popular aesthetic, Skies of Arcadia suffered from some more common JRPG flaws, These will appear later in the article.
While Skies of Arcadia has only made cameo appearances in Sega titles since the GameCube release, players want to revisit this world again. Ideally, perhaps Sega could not just re-release the title for modern consoles but remaster it with modern quality-of-life improvements.
What Made Skies of Arcadia Special
People embraced Skies of Arcadia for its character design, music, and unique setting. Unlike any other game past, you were a Sky Pirate who sailed across the sky. The world was divided by islands and you used an airship to explore.
Its battle system entailed the use of SP. In addition to MP for magic spells, SP offered another layer of depth. These powerful strikes offered impressive cinematics while your character unleashed a devastating blow on the enemy.
The locales, the characters, and even having a pirate crew charmed its players. Perhaps also due to its limited releases, its novelty value remains high among its fans.
What a Proper Remaster Could Entail
Despite its best intentions, Skies of Arcadia suffered from its own series of flaws. Even though Legends attempted to lower the encounter rate, in comparison to other JRPGs, it was still considerably high. It was also no secret that the player would get lost at times without consulting a guide.
Skies of Arcadia’s ship battles moved like molasses. Thanks to the over-emphasis on cutscenes, the animations, and long HP bars could make fights take up to 45 minutes long. This was followed by a boss battle which, if you lost, you would have to do all over again.
The title does not need to focus on improving aesthetics outside of your usual HD Remaster such as Final Fantasy X/X-2 HD Remaster. Rather, some quality of life improvements would breathe new life into the game.
I feel ambivalent towards Skies of Arcadia. On one hand, I love its characters, especially Gilder, Fina, and Vyse. On the other hand, it was a slog to play through. I hated that I lost near the final boss fight because I was under-leveled and forced to grind.
Despite this, I know it has the potential to be an even better game. I would love to see it return, better than before, by Sega’s grace. Whether through an HD Remaster, remake, or even a sequel, here’s hoping Sega will revisit the Blue Rogues once more.
Did you play Skies of Arcadia or Legends? Let us know in the replies below. As always, be sure to follow our social media pages below to bring the latest gaming content with you!
Hello, readers! I just to say that SEGA Forever was buzzing a little bit about Skies or Arcadia. While this isn’t a guaranty, we thought it might show promise.
‘Sorry to people that thought that my promotion of the article made this click bait. It wasn’t my intention or John Rinyu’s fault.
KoeiTecmo and Team Ninja‘s legendary action series, Ninja Gaiden, debuted on the Arcades and the NES in 1988. While the former was an arcade beat ’em up, the latter featured a trilogy of Castlevania-inspired platformers. As a result, Ninja Gaiden saw success with its NES trilogy.
However, after the initial release of the series, as well as the SNES remake, Ninja Gaiden fell off the map. Despite Team Ninja’s decision to put Ryu Hayabusa into their hit Dead or Alive fighting game series, Ninja Gaiden would remain buried for more than a decade. However, two years after the release of Capcom’s popular 3D action title, Devil May Cry, Team Ninja decided to bring Ryu Hayabusa back from the dead.
Ninja Gaiden Rebooted
Featuring similar action, yet fine-tuned with incredible speed and bloodier animation, Ninja Gaiden came out on Xbox in 2004. Known for its ruthless difficulty, the title was followed shortly after by two successful re-releases: Ninja Gaiden Black and Ninja Gaiden Sigma, the latter which was an HD-upscaled release for PlayStation 3.
Ninja Gaiden would become a hit 3D Action series throughout the 2000s. Team Ninja would follow up with 2008’s Ninja Gaiden II for Xbox 360. Unfortunately, internal issues would force series Producer, Tomonobu Itagaki, out from Team Ninja. His colleague, Yosuke Hayashi, was in charge of Ninja Gaiden Sigma 2 and the sequel, Ninja Gaiden III.
Since 2013, Ninja Gaiden has not seen a new game released on any platform. Team Ninja has since focused heavily on the Dead or Alive series. One theory might suggest that Ninja Gaiden III’s poor reception has kept Team Ninja from wanting to risk releasing another title.
Another theory might come from Team Ninja exerting their efforts into their latest hit series, Nioh. Derived from Japanese mythology and history, Nioh took the elements of Dark Souls while adding its own hardcore take. Furthermore, it features its own set of references and Easter Eggs.
Now that Nioh 2 has been released, Team Ninja may have freed up their schedule. While Nioh 2’s DLC will still come out over the next year, players want to know if they will return to Ninja Gaiden. With a new console generation coming, players want to return to playing as the world’s most badass ninja.
Keep in mind that the time span between Ninja Gaiden III: The Ancient Ship of Doom (NES) and Ninja Gaiden (Xbox) spanned 13 years. While only seven years have passed since the release of Razor’s Edge, one can only hope that Team Ninja has not forgotten about their stellar action series that helped put them on the map.
Which Ninja Gaiden title was your favorite? Let us know in the comments below. Also, be sure to follow our social media channels below for the latest gaming content to take with you!
When the Metroid series debuted in 1986, on the NES, space warrior Samus Aran took the galaxy by storm. The Metroid series has underwent evolutions several times. Moreover, it’s gone through near decade-long hiatuses several times since its inception.
Therefore, as a long-time Metroid fan, I want to address the best Metroid games in the series. While Nintendo’s intergalactic series remains highly prolific, the gap between the chaff and the wheat might greatly surprise you.
It comes as no surprise that Super Metroid remains the series’ standard. Longtime fans swear by Super Metroid as the epitome of the series. Evolving from its 8-bit predecessors, this title introduced the mapping system, beam-stacking, and some colossal boss fights.
Super Metroid not only redefined the Metroid series but also gaming as a whole. At the time of its 1994 release, this 24-megabit title was Nintendo’s largest game to date. It also began the modern-day Metroidvania formula thanks to its use of a mini-map. While Metroid on NES introduced gaining abilities to open up new paths, Super Metroid perfected that formula.
The title was known for its massive boss fights, beautiful animation, and diversity in level designs. From the caverns of Planet Zebes to the underwater terrain of Maridia, Super Metroid created incredible and varied worlds. Even though it could be beaten in 8 hours or less, Super Metroid offered replay value for speedrunners, item hunters, and those who simply wanted to pick up and play it again. Best of all, it was polished in a way that still holds the series’ standard. As a result, Super Metroid remains one of the best games on the SNES.
After Super Metroid, the series spent eight years in hiatus before returning to the Nintendo GameCube and Game Boy Advance. Metroid Prime not only debuted the series in 3D but in first-person as well. Dubbed a “First-Person Adventure” by Nintendo, this title offered more elements than your standard FPS title. Exploration, platforming, and puzzle-solving made up the game’s core concepts.
Metroid Prime continued much of the same action Super Metroid introduced players to. The familiar beams from past titles offered new abilities. Wave Beam was electric and Plasma Beam was fire. These were key in not only solving puzzles but utilizing strategies against enemy weaknesses as well. Furthermore, Missile upgrades allowed these weapons to utilize more powerful abilities such as the Wavebuster and the Flamethrower.
Additionally, Metroid Prime featured more fearsome, gigantic bosses and massive locales. While the artifact hunt near the end might have added some unnecessary padding to the game, Metroid Prime was indeed the longest game in the series at the time. With that being said, Metroid Prime became one of GameCube’s finest hallmarks and a defining title of the 2000s.
The sequel to Super Metroid released on Game Boy Advance at the same time as Metroid Prime. While Prime served as a midquel within the series, Fusion (dubbed “Metroid 4” in the opening) saw Samus taking on the Biologic Space Labs (BSL) to hunt down the X-Parasites.
Metroid Fusion brought much of Super Metroid’s wonderful gameplay and animations to the handheld system. Samus would also gain new weaponry such as the Ice Missiles and Diffusion Missiles.
But what made Metroid Fusion stand out more than anything was its sense of terror. The atmosphere in Fusion indicated you were being stalked by a powerful clone known as the SA-X. This killing machine could end Samus’ life with only a few hits. Along with the music and the bosses that destroyed entire sections, Fusion had the player gripping their handhelds in suspense throughout the game.
Metroid: Zero Mission
Developed as the remake to the original NES Metroid, Zero Mission offered a new story with the upgrades seen in more recent titles. Not only did it feature the gameplay similar to Super and Fusion, such as maps, but it played incredibly fast.
Zero Mission not only served as a wonderful reimagining of the original Metroid, however. It also added a new chapter after the battle with Mother Brain. This new part featured a stealth mission that would also show the origin in Samus’ story.
Moreover, Zero Mission did incredible justice to the boss battles, powerups, and locales of the original Metroid. It was a massive improvement in every way to the original title. As with Fusion, Zero Mission was a stellar game for the GBA.
Metroid Prime 3: Corruption
The Metroid series’ debut on Wii featured a new control scheme. Developed around using the Wiimote + Nunchuck, players could aim with the controller for accurate precision aiming. Corruption also introduced a new suit power which would briefly power up Samus.
Metroid Prime 3: Corruption included voice acting for the first time in the series. This served as a vehicle for one of the most plot-driven entries in the series. Samus met new hunters that were part of her mission and would even interact with them.
Much like the games before it, Corruption featured impressive boss battles, abilities, and gorgeous locales. Unlike Metroid Prime 2: Echoes, however, the player wasn’t forced to get lost and look around for nothing for over an hour. It also did not include a massive fetch quest divided between two worlds. Corruption flowed wonderfully by taking the best parts of its predecessors.
Samus Returns was fittingly named as it ended the second major hiatus of the Metroid series. Featuring larger areas and Aeion abilities, Samus Returns continued to build upon the formula. While reintroducing Metroid evolutions, these served as boss battles with various patterns to challenge the player.
While Samus Returns wasn’t the prettiest game, one could suggest the visuals weren’t as gorgeous due to the limitations of the 3DS hardware. However, Samus Returns played incredibly well and featured the fast-paced gameplay Metroid fans enjoyed. Moreover, the final boss was an incredible surprise for players including those who had played Metroid II for Game Boy.
Three years after the release of Samus Returns, I’m eagerly awaiting Nintendo to announce a new Metroid game. Even if we get a 2D title before Metroid Prime 4 – more likely than not at this point – I’m always ready for more. I feel that the series had its ups and downs. While the lower points of the series weren’t exactly stellar, the best games were among some of the greatest of all time.
What’s your favorite Metroid game? Do you have a favorite boss fight? Let us know in the comments below.
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Castlevania: Aria of Sorrow is a 2D side-scrolling Metroidvania title. Developed by Konami and released in 2003, this title was produced by Koji Igarashi (IGA) who was renowned for the 1997 hit, Castlevania: Symphony of the Night. Featuring the artistic talent of Ayami Kojima, and music by Michiru Yamane, this title brought the Symphony team together for another experience on Game Boy Advance.
With that being said, I recently beat Aria of Sorrow for over the dozenth time. As my favorite Game Boy Advance game, I wanted to go back and play it to see how well it’s aged. In today’s era, IGA released Bloodstained: Ritual of the Night, the spiritual successor to his Castlevania titles. Therefore, I figured I would return to celebrate one of his best works and see how it stacks up with his latest endeavor.
Aria of Sorrow takes place in 2035 and is set decades after the final defeat of Dracula in 1999. When college student Soma Cruz vanishes from the Hakuba Shrine, he appears at the entrance of Dracula’s Castle. Caught in a solar eclipse, he is greeted by his childhood friend, Mina, and the mysterious Genya Arikado. The latter brought Soma to the castle to discover the truth behind his soul-stealing powers.
The title introduces several characters which include both friendly and hostile faces. Perhaps the most pressing thing about Aria is that it is not your traditional “end Dracula’s reign” game. In fact, Aria of Sorrow may have perhaps the biggest twist in the series’ history.
Aria of Sorrow brings together the new protagonist, Soma, Yoko Belnades, a descendant of Sypha Belnades from Castlevania III, the Belmonts, and Dracula’s son, Alucard, together to help stop Dracula’s evil once more. As Soma, you will venture through the castle in order to uncover the truth behind your powers. Plus Aria of Sorrow features multiple endings including a particularly engaging Bad Ending. For a 2D Metroidvania title, it features an astounding plot.
Konami released Aria of Sorrow mere months after Castlevania: Harmony of Dissonance. While the latter featured bright, colorful visuals, Konami sacrificed the audio quality. While Harmony of Dissonance had wonderful melodies, composed by Yamane, it could only handle playing 8-bit chiptune music. Aria of Sorrow managed to not only feature gorgeous visuals but did so without downscaling the sound quality.
In Aria of Sorrow, the animations stand out wonderfully. Soma’s coat animates well with his movements while enemies engage him with various attacks. Plus the Soul system offers creative animations for each of your abilities.
Perhaps the excel point of Aria’s visuals include its gorgeous background decor. Each area wonderfully separates itself from the others and looks beautiful, majestic, and gothic. You will certainly appreciate the background pseudo-lighting effects as well.
If you enjoy strong gaming soundtracks, Aria of Sorrow delivers in spades. Michiru Yamane’s soundtrack stands strong to include “Castle Corridor,” “Heart of Fire,” and features subtle remixes of “Cross Your Heart” and “Bloody Tears.” One of my favorites includes “You’re Not Alone” which plays near the game’s ending.
Aria of Sorrow follows the side-scrolling Metroidvania formula set forth by its predecessors. The game encourages you to explore as you fill in your map, break hidden walls, and gain abilities to open up new areas. You can double-jump, transform, slide, and even fly as a Bat.
Combat involves hacking and slashing while equipping new weapons. You can use swords, lances, knuckles, and even firearms. Despite setting itself apart with the use of Guns, the long-range weapons feel remarkably apropos.
Perhaps the most pressing and significant part of the gameplay involves the Souls mechanic. As Soma wields the Power of Dominance, he can absorb the soul of any enemy he defeats. Similar to the Persona series, each soul comes with different abilities. You can equip up to three at a time to configure various combinations.
Between the souls and weapons, players can use a variety of combinations to play in their own style. This mechanic opened up the door to the Glyph system used in Castlevania: Order of Ecclesia as well as the Shards used in Bloodstained: Ritual of the Night.
After beating Aria of Sorrow, you unlock Boss Rush Mode, Hard Mode, New Game+, and Julius Mode. Boss Rush mode lets you fight against all of the bosses in the game. Clearing within various time limits grants you powerful weapons, such as Excalibur and Positron Rifle.
Unlocking Hard Mode allows you to play with or without a new file if you so choose. New Game Plus will carry over all except a few souls to your next playthrough. Players seeking a challenge can also input NOUSE and NOSOUL to restrict the use of items and souls, respectively. Furthermore, New Game Plus also allows players to discover new weapons not seen in the first playthrough. Clearing the map 100% also features extra dialogue in the ending.
Finally, Julius Mode continues the tradition of unlocking a character to play through the game as them. In this case, players can use Julius Belmont who uses MP for sub-weapons. Julius comes armed with the Vampire Killer whip, a super jump, and a teleport-dash that resembles Akuma’s from Street Fighter. He’s fun to play and quite powerful. Unfortunately, as per tradition with IGA’s extra character modes, I wish they added dialogue to move the story forward.
How does it fare today?
Koji Igarashi released Bloodstained: Ritual of the Night in 2019. The side-scrolling Metroidvania title featured the spiritual successor to his Castlevania titles. When Konami underwent their worst years, and rebooted Castlevania as Lords of Shadow, IGA left to form his own studio, ArtPlay.
Bloodstained offers much of the charm you could expect from Castlevania. It features similar gameplay and progression. The side-scrolling gameplay and exploration, and epic boss battles feature series’ hallmarks. Plus it even recently added Zangetsu Mode which echoes the second character mode of IGAvanias.
However, I don’t think its visual polish ever got better than a lighting upgrade before its release. Even in HD, the game looked fairly standard to me. Despite a visual facelift prior to release, I still never found myself impressed with Bloodstained’s visuals as much as I did with Aria of Sorrow’s sprite work.
Plus some parts of the game weren’t properly utilized. If you needed to swim underwater, you found the ability through progression in Aria. Bloodstained makes you kill a random water enemy to gain the swimming ability and I feel that was one of the pacing issues I had with it.
However, I do recommend Bloodstained for any Metroidvania fan. Anyone wanting a callback to IGA’s best games will find plenty of love and polish in Bloodstained. Overall, though, while Aria of Sorrow is one of best IGA’s games, Bloodstained does well on its own as a Metroidvania side-scroller.
My only gripe with Aria of Sorrow is that it’s a bit short. To this date, Castlevania: Symphony of the Night is still the longest game largely thanks to the Inverted Castle. Moreover, it was developed on the PlayStation which held more memory than the GBA. Despite this, Aria of Sorrow is a clean, polished adventure from start to finish. Plus, Aria of Sorrow rewards players with an incentive to beat the game more than once.
The Soul System remains one of the best gameplay mechanics ever introduced. I love being able to combine and customize which abilities I can use. Projectiles, support skills, and passive abilities were all organized easily and user-friendly.
The variety also gave life to endless combinations and I enjoyed getting to pick and choose what to use. Plus the weapon system went a step above Symphony of the Night’s. Greatswords were much larger and the weapons offered much more variety.
Overall, Aria of Sorrow just felt like a nice, complete package. It was a polished, near-perfect little game that I’ve come back to for over 15 years. It’s my favorite title on the Game Boy Advance and one I recommend today. However, with the exception of the Wii U eShop release, Aria of Sorrow was never released outside of the Game Boy Advance. Despite this, I highly recommend Aria of Sorrow. If you enjoy side-scrollers and Metroidvanias, track this game down. I hope you will enjoy it as much as I do.
Earlier this week, Koji Igarashi (IGA), founder of ArtPlay, announced a sequel to 2017’s retro 8-bit love-letter to the classic Castlevania series, Bloodstained: Curse of the Moon. The title will receive a sequel featuring Zangetsu, main character of the first adventure, as well as three new playable characters replacing the playable cast from the first title.
Bloodstained: Curse of the Moon serves as the spin-off precursor IGA’s larger project, Bloodstained: Ritual of the Night. With the former title, developed by Inti Creates, it served as a tribute to the NES Castlevania titles. Ritual of the Night, however, served as a successor to IGA’s own produced Castlevania titles. Bloodstained Curse of the Moon 2, however, already shows more promise given the trailer’s use of new stage design choices.
While Curse of the Moon felt like a proper love-letter to the original Castlevania titles, its design scope felt limited beyond a few incentives to replay. The sequel, however, already shows the kind of promise you might expect from a quality indie platformer such as Shovel Knight.
What makes Bloodstained special?
The NES Castlevania titles were known for their critically-acclaimed platforming. The original Castlevania title remains a favorite among NES fans to this day. The first entry featured Simon Belmont, the gothic horror enemies, 5 different sub-weapons, a killer soundtrack, and the first of many epic battles against Lord Dracula.
Koji Igarashi’s Metrodivania titles integrated even more storyline into the narrative ranging from Alucard fighting his father, Dracula, to Soma Cruz, protagonist of Castlevania: Aria of Sorrow, discovering he was Dracula’s reincarnation. The exploration and map system borrowed heavily from Nintendo’s Metroid series while the RPG elements allowed you to equip weapons, armor, spells, and level up with EXP.
Bloodstained: Curse of the Moon continued the former’s tradition by allowing you to switch characters like in Castlevania III. Ritual of the Night took over Symphony of the Night and onward’s formula, allowing you to explore the castle to your heart’s content. Also note that Circle of the Moon (CotM) itself is a reference to Castlevania: Circle of the Moon which was released on GBA in 2001.
If you enjoy platforming titles, we strongly recommend checking out Bloodstained: Curse of the Moon. As with Shovel Knight, it serves as a love-letter to classic 8-bit platforming with a polished sheen, epic boss battles, and even replay incentives.
I found Bloodstained: Ritual of the Night to be a fine game. The series already shows that it features the spirit of Castlevania in many ways. As someone who also feels great disappointment in Konami’s performance – or lack thereof – over the past decade, IGA has yet to let us down.
Bloodstained: Curse of the Moon 2 will release on July 10th, 2020. Keep up with us as we cover ArtPlay and IntiCreates‘ latest title. The title will also feature a 2-player co-op mode. If you are seeking more info on Bloodstained, follow us on our social media links below. We’ll keep you updated with Curse of the Moon 2 here.
Earlier today, Nintendo released a video detailing their latest character – Min-Min – for Super Smash Bros. Ultimate. Featured in a video showcase by Smash Bros. creator, Masahiro Sakurai, the presentation featured the character trailer as well as a brief tutorial and history of the character.
ARMS and Min-Min
ARMS is a 3D fighting game, developed by Nintendo, released for the Nintendo Switch in 2017. Released during the Switch’s launch year, Nintendo wanted to add a new IP to their latest console. ARMS takes cues from Nintendo’s classic series, Punch-Out!!, by positioning the camera behind the player and duking it out, with punches, face-to-face.
However, in ARMS, you use spring-loaded arms to extend your reach. These ARMs can be customized with various ways to deal damage, such as with elementals or multi-hitting attacks. You can play as a dozen different characters who use various, unique abilities to support their fighting style.
As with past DLC characters, Nintendo chose the character pick. However, Min-Min was chosen by the ARMS director, Kosuke Yabuki, and was a personal favorite pick from Sakurai as well. In ARMS, as well as Smash, she has a special Dragon arm, which fires heat beams, and can also use her strikes to reflect incoming attacks. With that said, be sure to check out the character’s official Smash page here.
Alongside the incoming update, Mr. Sakurai also revealed new Mii Fighter costumes including Vault Boy from Bethesda’s Fallout series. Mr. Sakurai also showcased an update for Spirits mode allowing you to rematch any Spirit you’ve faced before. Finally, players got their first look at upcoming amiibos including Joker (Persona 5) and Hero (Dragon Quest XI).
Impact on Smash
ARMS released its last update in 2018. Without much of a following in national fighting game tournaments, such as EVO and CEO, the game quickly declined in popularity. However, Nintendo recently announced that Fighters Pass 2 would feature an ARMS character. They followed this by announcing ARMS would be available to play as a free demo for Nintendo Switch Online users.
Given their continued support for Super Smash Bros. Ultimate and Splatoon 2 online tournament, perhaps this means Nintendo seeks to once again make ARMS a supported stable series. In doing so, they will use Smash Bros. to capitulate the series’ popularity and reignite interest among Nintendo Switch owners once more.
Min-Min will be available for download, on June 29th, 2020, for $5.99. If you already own Fighters Pass 2, you will download her automatically. Min-Min also comes with a new stage – ARMS Arena – as well as a selection of music tracks from her home game.
We will keep you updated on the latest in Super Smash Bros. Ultimate info. Stay tuned with us for features on the upcoming DLC fighters as they’re announced. Finally, be sure to follow All Cool Things on our social media channels listed below.
Ever since COVID-19 forced the globe into a quarantine, players have not been able to attend offline gaming tournaments. With CEO Dreamland being the last one, hosted back in March, players have been shut into their homes while playing video games online. Among the most popular choices includes Super Smash Bros. Ultimate. While I covered Smash Wi-Fi tournaments developing in a past article, this was before the aftermath ensued.
As I honestly expected, players quickly grew fed up with playing online. This even caused #FixUltimateOnline to trend on Twitter, with dismayed players sending the trending tweet to Nintendo’s official Twitter accounts. Despite this, Wi-Fi tournaments continue to grow in popularity. As such, players will continue entering them while complaining in the long run. I will break down some of the major problems of Wi-Fi tournaments as well as what draws people to them.
Super Smash Bros. Ultimate is a game that
– Won Fighting Game of the Year 2019 – Was nominated for Best Game of 2019 – Had the most entrants in EVO 2019 – Is enjoyed by millions, casually and competitively
For starters, Smash’s netcode remains the paramount problem among Wi-Fi players. The connection causes unnecessary amounts of input delay, particularly in Quickplay. You can never tell who is playing with a LAN Adapter which, at best, only remedies the problem somewhat.
Tournaments, such as Pound Online, Quarantine Series, and The Box continue to run with hundreds of players. Unfortunately, Wi-Fi tournaments come with Wi-Fi problems. The first being that connection issues not only stifle matches, but create enemies among players.
The first example being renowned Roy player from Florida, Goblin, losing to Mexico’s Mr. Game & Watch main, Maister. Following their match, Goblin tweeted out a message regarding his match with Maister. The tweet and replies show that this came due to the match lagging.
Honestly worst part about it all is that I have no beef/quarrel/hatred towards Maister and just called him out for lagging and it blows up to "I've lost all respect, **** you, get the **** out of my face you baby." I don't even instigate any issues or problems with anyone
Another such example that generated controversy includes Cosmos‘ set with Grayson at Pound Online. Despite being ahead two games, Cosmos requested a lag check. The result Tournament Organizer (TO) Cagt to disqualify Grayson from bracket. The ensuing fallout created controversy across Smash Twitter. However, Smash online is reeling from more than just netcode issues.
Please also note that Nintendo has made no attempt to fix online despite multiple balance patches for the game. In fact, lag was spotted even before the game’s release. The video below showcases an example of Nintendo trying to use “damage control” to minimize the issue that would eventually plague the game.
Along with Wi-Fi issues come Wi-Fi characters. Smash Twitter has collectively discussed, in disgust, their least favorite characters to fight online. Among them largely include Zelda and Samus, both of which otherwise aren’t considered top tier characters offline.
My proposal for future wifi tournaments
-Region locked -No spectators unless there's no streams to recast it on -Lan adapter required: If anyone lagtests you, you're required to send a picture of your lan adapter and the game screen or otherwise get DQ'd -Samus/zelda BANNED
However, the online Smash community has been dealing with an even more pressing matter from a single character: Sonic the Hedgehog. Known as a high tier character in Smash 4, Sonic has otherwise maintained steady results in Ultimate offline. During this transition to online play, however, Sonic’s prominence has once again developed him into an infamous character to fight. At the center of the controversy is Dominican Republic’s Sonic main, Sonix.
This largely stems from Pound Online where Goblin and Sonix fought in bracket. Even though Goblin maintained a lead in their last game, Sonix eventually brought the percent back. Rather than, KO him Sonix used the last few seconds to stall for a time-out. This resulted in Goblin’s rant about Sonic with Sonix catching wind of it and sharing it on Twitter.
Sonic mains feel so entitled because their character got nerfed from smash 4 when their character was the most bitch made fucking designed character in the fucking world and now that they're winning online where it DOESN'T matter where it's FUCKING BROKEN where NOTHING MATTERS th pic.twitter.com/8oGY7HrfLH
As such, this created a divide in the community. In a community that frequently targets players based on their mains, this only perpetuated even more in-fighting through social media. One TO even suggested banning Sonic from his next online tournament.
Additionally, fighting game website, EventHubs, reached out to Sonix for an interview. He explained his thoughts on the current competitive scene as well as gripes regarding online play. You can read the full interview here.
As a competitive player myself, I have entered several tournaments, one of which I won. As someone who lives in an area with roughly 20 players who attend weekly tournaments, my training options consists almost exclusively of online practice. However, I’m not so desperate as to play in an online event.
For one, I don’t feel like being confined to waiting for my bracket match to enter. I would rather spend time being more productive. Another part is I don’t want to be part of this rage culture. Smash Wi-Fi historically brings out the worst in its players.
Smash is getting a world tour and this is how y'all act? my mans was just trying to have some fun playing luigi in an online tournament but he gets matched up against a top player with him and his boys constantly insulting him and talking shit. that ending is great though LOL pic.twitter.com/9XzWXFNKDj
On the outside, people on social media see players as taking online way too seriously. While some players might see these endeavors as “just for fun,” others are playing for thousands of dollars in prizes. As the burdens outweigh the enjoyability, I feel no reason to involve myself.
Also, there is no feeling quite like being at an actual tournament. I entered several tournaments a month, including locally, regionally, and even out-of-state majors, such as Momocon and CEO. Getting to see your friends again and playing offline matches against good competition makes the difference.
The tournament experience, on the opposite hand, largely brings out the best in players. There’s much more sportsmanship and camaraderie at offline tournaments when you’re meeting face-to-face. Plus you’re not hampered by the Wi-Fi connection either.
Alternatives to Smash Wi-Fi.
The reason people continue to play Smash online is because it stimulates the brain. It’s a fast-paced, competitive activity that plays unlike any other. As someone who’s staying at home playing JRPGs, like Persona and Fire Emblem, I too feel the need to test my reflexes and play a game of Smash. Even if it’s just for a few minutes to an hour, on Smash online, nothing feels quite like playing my favorite game.
I could play other fighting games, but I’m also not that good at them. Even then, I would still be running into largely the same netcode problem if I’m playing another fighter. If I need to play Smash seriously, I can always host a Battle Arena. I can enter a Discord with competitive players, seek a match out, and play with them till I’m done. Most of the time, the players I fight will have a LAN Adapter, making the connection a bit more seamless and easier to play.
Meanwhile, some players or even TOs, like Bear, have been spending their time fiending on Mario Kart 8 Online. As the best-selling Nintendo Switch game it still packs plenty of life several years later.
What you want to play for that mental stimulus is largely up to you. There’s tons of competitive online games out there including fighting games, Overwatch, Mario Kart, Splatoon, and more. But if you’re willing to brave the storm and play Smash Bros., the best thing to do is not take it too seriously. Have fun online, find people to play, and host battle arenas if you’re concerned you’ll run into lag. Despite what goes around on social media, it’s still playable. While online is not perfect, not playing Smash is even less enjoyable.
How are you managing through an era without Smash tournaments? Let us know in the comments below!
It’s no secret that Nintendo has used Super Smash Bros. to market their series for decades. Even when Roy was included in Super Smash Bros. Melee, Nintendo has continued this tradition through the release of Byleth in Super Smash Bros. Ultimate. However, this marketing method dates even further back than Melee. The original title, Super Smash Bros. on the Nintendo 64, introduced players into many series as well. In this week’s Smash Column, I’ll go over the importance of Smash Bros. for marketing and how it’s impacted us as players.
Super Smash Bros. (1999)
The original Nintendo crossover started with 8 characters. Mario, Link, Donkey Kong, Yoshi, and Fox were among the many classic staples with a legacy on NES, SNES, Game Boy, and N64. I had not yet played Metroid or Kirby until sometime after Smash’s release, so I did not feel as familiar with Samus or Kirby. However, because I enjoyed playing as Pikachu, and summoning the Pokémon out of Poké Balls, Smash got me into Pokémon. It was the first of many times that this series would influence my gaming choices.
When you fulfilled certain conditions, you would unlock four characters: Luigi, Jigglypuff, Captain Falcon, and Ness. Luigi’s inclusion was due to being in a game with his brother, Mario. You would think it was an obvious inclusion. Yet, after the release of Super Mario 64, his lack of appearance spawned many rumors and questions as to why he wasn’t there.
Jigglypuff, on the other hand, became a favorite among the Japanese audience who watched the anime. This would later lead to the inclusion of Pichu, Mewtwo, and Lucario. All of these Pokémon had anime movies featuring them.
However, Captain Falcon from F-Zero and Ness from EarthBound were two characters I was completely unfamiliar with. Captain Falcon comes from the F-Zero series, Nintendo’s racing series that predated Super Mario Kart. In those games, you don’t play as Falcon outside of his Blue Falcon vehicle. He only appears in the SNES title’s manual and in the select screen of F-Zero X.
Just who was this person? Why was he dressed as a superhero and why were his quotes so memorable? Falcon’s battle quotes, including his popular Falcon Punch, became popular Smash Bros. memes throughout much of the series’ existence.
Ness, on the other hand, came from the SNES title, EarthBound. Before JRPGs became big in the west, EarthBound was known only to a small niche group. Even among RPG fans, Nintendo’s worst attempt to market the game may have turned away potential fans. Whoever this Ness kid was, however, must have been a big deal in Japan. America largely knew nothing about him. But before long, Super Smash Bros. would invoke the curiosity of many players wanting to try EarthBound. Not only would people emulate the title on their computers, but copies of the game would sell for absurd prices on eBay.
Super Smash Bros. Melee
Melee introduced a plethora of new characters and worlds from even more series than the original. Not only did Peach, Bowser, Zelda, Ganondorf, Young Link, and Falco join the fray, but it introduced new series as well. While the inclusion of Ice Climbers, and Mr. Game & Watch, took a page out of Nintendo’s ancient history, an even more surprising introduction gained immediate notice: Fire Emblem.
Introducing Marth and Roy, the characters became an immediate hit due to their character design, fighting style, and their memorable theme music. Fans speculated if Nintendo’s Strategy/RPG series, Fire Emblem, would ever come to America. Smash series creator, Masahiro Sakurai chose to include Roy, in Melee, prior to the release of his home game, Fire Emblem: Binding Blade, in Japan.
Nintendo ultimately chose to keep these mysterious characters in the western release, opening us to a revolution. Fans demanded Fire Emblem be localized and Nintendo gave in. This preceded the American release of Fire Emblem: Blazing Blade in 2003.
Not only did Fire Emblem’s characters fascinate players, but the introduction of trophies gave us a new dimension to look through Nintendo’s history. Fully rotatable, 3D rendered models of characters, items, and stages fascinated us. But the lore that came with it introduced its history.
At the end of each description, Nintendo listed the original title that featured the trophy. For anyone interested in trying out these games, this little database gave them what they needed. I spent hours reading these descriptions and admiring the models.
Super Smash Bros. Brawl
In one way, Brawl did the opposite of the past two games. As opposed to introducing us to series we weren’t familiar with, Snake’s surprise inclusion invited fans to demand another popular video gaming mascot – Sonic the Hedgehog – into the roster. While your average gamer needed no introduction to Sonic, Metal Gear Solid was known primarily as a Sony PlayStation title. While Snake had appeared in several Nintendo games, Snake’s inclusion in Smash would introduce many Nintendo fans to a new world.
In addition to various new characters, stages, and Trophies, Brawl also introduced the Masterpieces collection. These featured 1-2 minute demos of Nintendo games from their past consoles. Each game also invited the player to download these games to their Wii via the Virtual Console. For anyone new to these games or series, this was the ideal introduction to new series.
The inclusion of Lucas also prompted fans to demand the release of Mother 3 in the west. Being the second EarthBound character to join Smash’s roster, fans of EarthBound wanted to know more about Lucas’ origins. While a fan-translated product was eventually released, Nintendo has yet to officially translate, and release, the title outside of Japan.
Super Smash Bros. for Nintendo 3DS and Wii U
Smash 4 featured fully animated trailers featuring new characters. One trailer even introduced two characters – Lucina and Robin – from Fire Emblem: Awakening. While these two characters were popular among series fans, this would inevitably lead to the “too many Fire Emblem characters” discussion prominent among the Smash community.
Both Smash titles featured DLC expansions to the roster. In Smash 4, Sakurai introduced the “Smash Ballot.” Fans could vote for a character and the winning character would be added to the roster. While that winner was Bayonetta, Sakurai added one character just for his popularity: Cloud Strife from Final Fantasy VII. Appearing from one of the most revolutionary JRPGs, Cloud was a heavily demanded, but unlikely, favorite.
Despite the love for Cloud, much like Snake, fans were well-aware that Final Fantasy VII’s only console release was on the PlayStation. This also meant a world of introduction for people who have scarcely ventured outside of Nintendo. Notably, Final Fantasy VII would not appear on a Nintendo console until its release, on Nintendo Switch, in 2019.
While Fire Emblem Fates had been released in Japan, the title would not come to America for several more months. Similar to Roy’s inclusion in Melee, Corrin would enter the Smash roster prior to the release of their home game in the west. Despite Nintendo’s obvious attempt to use Corrin’s inclusion to market their game, their efforts resulted in Fire Emblem Fates becoming the best selling title in the series.
Sakurai’s passion extended through his characters by giving these DLC characters special videos explaining to players their fundamentals and origins. He would remark about their home game, the game mechanics, and how he translated them directly into Smash, including the sound effects.
Super Smash Bros. Ultimate
Ultimate’s new roster featured many leftover favorites which came from unrequited fan demands. Prior to the game’s release, Ridley (Metroid), Simon and Richter Belmont (Castlevania), Isabelle (Animal Crossing), Chrom (Fire Emblem), and King K. Rool were all added to the roster. Sakurai’s fulfillment served as a sign of good faith representing the relationship between the fans and himself. The DLC introduced five characters. While some included heavily requested characters, several came out of nowhere and shocked the world.
In terms of marketing, Joker’s reveal might have had the biggest impact. Coming one year off of winning RPG of the Year at The Game Awards 2017, Persona 5 had introduced many new fans into a cult favorite series. At The Game Awards 2018, Joker and The Phantom Thieves stole the show with Joker’s surprise reveal trailer airing during the broadcast.
Sakurai not only included the Mementos stage, and music, from Persona 5. He included a blue and yellow thematic, representing Persona 3 and Persona 4, as well. These also included musical themes from those respective titles as well as their victory themes should Joker win on the stage. As someone who loved Persona 5, I heard good things about the other titles. But I think playing in the Persona 3 thematic prompted me to finally play Persona 3 FES, a game released in 2007, for PlayStation 2. Likewise, beating Persona 3 FES lead me right into playing Persona 4 Golden which, at the time of this writing, I’m about 20 hours into. Keep in mind I also did not own a PlayStation Vita, or TV, to play it on until I felt the need to try P4 Golden.
Even the littlest details could influence my decision. One of the featured songs, “Time to Make History,” appears exclusively in Persona 4 Golden. This re-release of Persona 4 came out exclusively to PlayStation Vita.
Despite owning a digital copy of Persona 4, on my PS3 (via PS2 Classics), I could only appreciate this song more if I played Golden, the game it came from. Researching the laundry list of exclusive content, and improvements, over the original title only helped persuade me to purchase a PS Vita with Persona 4 Golden.
When Hero from Dragon Quest was revealed, it was followed by a trailer of his home game, Dragon Quest XI, coming to Nintendo Switch later that year. While many westerners scratched their heads wondering, “who,” Dragon Quest had always maintained a heavy following in Japan. Nintendo’s method to introduce new Dragon Quest fans in the west involved clever marketing idea.
That idea involved showcasing his trailer to reveal, not just who he was, but where he was from, and when his game was coming out as well. This, in turn, helped lead to Dragon Quest XI receiving some of the best sales in the series history. Dragon Quest’s newfound success in the west further cemented Smash’s success in marketing game series including those not developed by Nintendo.
For a rare change of pace, Smash itself did not get me into Dragon Quest XI. Rather, it was one of the top Smash competitors, Nairo, who influenced my decision to try the game. As a fan of the player, I also checked into his Twitch streams from time to time. One of those streams happened to be Dragon Quest XI, which had not yet been announced for Switch at the time. The gorgeous design of the game and its polish really caught my attention. Eventually, I caved in and chose to buy it for myself.
If yall never played a dragon quest game before and are interested, DQXI is a good one to start with imo, it's out on ps4 right now and will have an upgraded one on the switch in September
Banjo-Kazooie, stars of the legendary N64 title, finally entered the Smash Bros. roster in summer of 2018. Given their large fanbase, they became one of the most massively requested characters to enter the series. However, I’m going to shorten this section because there was little marketing involved. While Banjo-Kazooie’s feature included a fantastic throwback to a legendary game, from 20 years ago, there was no real “marketing” involved, per se.
Banjo-Kazooie still remains absent from the Nintendo Switch and has not been released on a Nintendo system since the N64. Until there’s any sort of re-release of the game, Banjo-Kazooie’s reveal served a purpose similar to Sonic’s. Rather than market the game, they wanted to introduce fans to a character largely loved and remembered by fans.
Months later, Terry Bogard, from SNK’s Fatal Fury, would debut in Smash. Despite western Smash fans once again bewildered with confusion, Sakurai gave fans an entertaining history lesson on Terry in a video explaining the origins of Fatal Fury as well as his recommended choice for series beginners. Incidentally, these titles went on sale, for discounted prices, on the Nintendo Switch’s eShop. Any curious player immediately had the chance to see what Terry was like in his home game.
As someone largely unfamiliar with Terry at the time, I resonated well with this video. Sakurai’s history lesson invited me to get into a series I never thought I would love as much as I do now. Furthermore, the King of Fighters Stadium stage boasts the largest number of music, including remixes, of any of the DLC character stages. The love Sakurai showed for the SNK music marketed not just good music and arcade classics, but showcases an impactful level of passion as well.
With Fighter Pass 1 wrapping up with its last character, the inclusion of Byleth gave way to controversy as well as positive reception for the character. On one hand, it brought forth anger from Smash fans who felt the roster was, at this point, overly saturated with Fire Emblem characters. On the other hand, Fire Emblem: Three Houses won numerous accolades, including the Player’s Voice award at 2019’s Game Awards. This highly successful title immediately became one of the best selling in the series. Given that it had quickly become one of the most popular titles on the Switch, Nintendo had already decided to add the character to Smash in order to boost sales and introduce fans to Three Houses.
While Sakurai himself admitted that Smash has too many Fire Emblem characters, he gave Byleth a trademark ability to distinguish him from the other swordsmen. By allowing him to wield three additional weapons, his varied playstyle added new flavor to the roster. The additional weapons gave Byleth a different flavor than most would expect from a Fire Emblem character. Despite the initial protests, Byleth eventually made themselves at home in Smash along with several noteworthy tracks to add to Smash’s already renowned soundtrack.
Nintendo has used Smash Bros. to market gaming series for over 20 years. Fans, like myself, got into Metroid, Kirby, EarthBound, Fire Emblem, and many more. I was fascinated by the music, the stages, the characters, and the Trophy lore. This introduced me to countless worlds of wonder and many new series I would love for years to come.
While Fighter Pass 2 has already confirmed the first character to be from the Nintendo Switch fighting game, ARMS, five more characters will be revealed over the course of the next year. Therefore, it’s anyone’s guess as to who will come to Smash. Given that many of the most-requested characters have entered Smash, it truly becomes anyone’s guess as to who will enter. Nintendo has already chosen their picks for Smash Ultimate, so perhaps they’ll be used to market an upcoming Switch title. We will keep you updated with the next wave of Smash info. In the meantime, stay tuned for our next Smash Column!
What series has Smash gotten you into? Let us know in the comments below.
Over the last decade, we’ve seen publishers release a tremendous amount of remakes and remasters. Some have given us incentive to play an even better version of a beloved favorite. Others, ever so rarely, have left players with a bad aftertaste.
However, one can’t deny the importance of re-releasing classics. Not only have publishers given longtime fans a chance to replay a favorite. But they’ve also introduced their legacy to a new generation of fans. With that said, I want to list a few noteworthy game companies that have put some effort into preserving their video game library for generations to come.
Known for their many re-releases of Street Fighter II throughout history, Capcom has remastered many of their titles over the years. They’ve maintained Mega Man, Street Fighter, and several more as household names thanks to their countless re-releases. Mega Man Legacy Collection, Mega Man X Legacy Collection, and Mega Man Zero + ZX Legacy Collection feature a massive chunk of their classic platforming series. Capcom even released the Beat ’em up bundle which features some titles never seen on consoles before.
Notably, you can find the entire Resident Evil series on PS4, Xbox One, and PC. Plus, this generation saw the re-release of Okami HD, onto modern platforms, as well as Dragon’s Dogma: Dark Arisen remastered for modern consoles. Capcom also released Devil May Cry 1-3 on Switch with DMC3 receiving some hearty new additions.
Perhaps even more noteworthy would be to consider Capcom’s remakes of Resident Evil 2 and 3. Much like Resident Evil 1’s remake, 2 and 3 were completely built from the ground up. These new features incorporate modern-day enhancements, controls, and storytelling fitting for a game of the current era.
Despite releasing Darkstalkers, Ghosts ‘n Goblins, Breath of Fire, and Power Stone for PSP, however, we have not seen these games in over a decade. Capcom did release several of their Marvel vs. and Darkstalkers titles during the last generation, but have not been seen since. Furthermore, we have not seen the likes of Viewtiful Joe since the 2000s. Capcom keeps some of these series alive, so to speak, as costumes in Street Fighter V. But we would love to play them as full games again.
However, given that Capcom does continue to release some of their best games every generation, new players will get to try Resident Evil , Okami, and many other classics. Perhaps we may yet see more long-missing names appear in this decade.
The company’s habit of re-releasing titles dates back to the early 2000s. You could find Final Fantasy IV, V, and VI, on Game Boy Advance, all remade with extra content. Chrono Trigger, the 1995 SNES classic, also came out for DS in 2008. All of the aforementioned games would later come to mobile devices and Steam Despite coming out to various levels of reception, Square-Enix would continue to update and polish them for a new generation to enjoy.
One of the biggest walls Square-Enix smashed was when they announced the remaster of Final Fantasy VIII, in 2019, for modern systems. The new version of the game includes redone character textures, upscales the title to HD, and features other minor improvements. This came with a slew of other announcements featuring remastered games.
Among those included in the announcements, Square-Enix released The Mana Collection, which features the original 90s Mana trilogy. This includes Trials of Mana, previously known as Seiken Densetsu 3, which was never released in the west. Similarly, Square-Enix released Star Ocean: First Departure R, Romancing SaGa 3, and SaGa Scarlet Grace Ambitions on modern consoles. With that being said, expect to see the newly-announced remaster of Final Fantasy: Crystal Chronicles, as well as NieR: Replicant, within the next year.
Despite the love Square-Enix has shown for many of their series, one particular game stands out missing in action. Due to the copyrights involved, Square-Enix owns the rights to many of the characters in the 1996 SNES classic, Super Mario RPG: Legend of the Seven Stars. Mario’s breakout RPG remains heralded as one of the greatest JRPGs of all time.
While it was released on the Wii and Wii U Virtual Consoles, you would never see more than a passing mention from Nintendo’s social media accounts. However, it released on the SNES Classic along with Final Fantasy VI. Despite this, though, unlike many of the aforementioned titles, Super Mario RPG has never been re-released as more than a direct port without any updates.
Many fans want a remake or a true remake or sequel to Super Mario RPG. While Square-Enix has done well for preserving their most famous series, fans would love to see Nintendo and Square-Enix collaborate on another classic featuring its sorely missed characters.
Perhaps the single most impressive re-release Bandai Namco has published is Tales of Vesperia: Definitive Edition. Once lost to history as the Japan-exclusive release, the Definitive Edition includes all of the story content, new characters, and battle improvements never seen in the west. Save for Troy Baker, voice of Yuri, it also includes the original voice actors reprising their roles for the newly dubbed lines.
Meanwhile, Bandai Namco has stayed busy reviving SoulCalibur in 2018 as well as maintaining Tekken 7. These include songs from their past respective entries which you can add to any stage. If you love SoulCalibur music, you won’t be disappointed.
Also, if you’re a fan of Pac-Man, you can download it on mobile apps and play newly released maps. Namco Museum Arcade Pac for Nintendo Switch also includes a number of their old arcade hits, like Galaga and Splatterhouse.
Perhaps one day, though, Bandai Namco might release more Tales games in the west. While we’ve never gotten Tales of Destiny: Director’s Cut, Tales of Destiny II, or Tales of Rebirth, hope never truly fades.
With each generation, Sega releases new Genesis collections. You may have seen them released as Sega Genesis Collection, Sonic’s Ultimate Genesis Collection, or even Sega Genesis Classics. Let’s also not forget the release of the Sega Genesis Mini microconsole.
Even though, for some reason, re-releases of Sonic 3 & Knuckles are apparently rare, Sega generally does a good job of keeping their Genesis games afloat. Sega even released a Dreamcast Collection, featuring several hits, on Steam, as well as the Saturn classic NiGHTS into Dreams…
As of late, it seems Sega has become more interested in releasing some of their classic series. Super Monkey Ball: Banana Blitz HD recently came to modern consoles. Following that, Sega released the Panzer Dragoon Remake on Nintendo Switch. Also noteworthy includes not only the remaster of Shenmue I & II on modern consoles, but the release of Shenmue III, which released over 15 years after Shenmue II.
But one more thing I want to cover is how Sega has distributed their classic series to different studios to develop their games. They collaborated with Christian Whitehead and his team to develop Sonic Mania, one of the best reviewed Sonic titles of all time. Now, with April 30th around the corner, Dotemu is set to release Streets of Rage 4, the first official title in the illustrious beat ’em up series in over 25 years.
While we would certainly love to see the return of Skies of Arcadia and Billy Hatcher, Sega has done a surprisingly stellar job of releasing classic titles and new entries onto modern-day consoles and PC. Since they own the rights to Puyo Puyo and its characters, I would also love to see the Madou Monogatari series return.
With that said, I’m even more surprised that I didn’t have to name many absent franchises this time. Sega has done a surprisingly stellar job of releasing most of their classic entries into the current era. Well done!
Over the last decade, Nintendo has built up a bit of a resume remaking classics we grew up with. One example includes Fire Emblem Gaiden, for Famicom in Japan, which never came to America until it was released as Fire Emblem Echoes: Shadows of Valentia for 3DS. Nintendo has also released four Legend of Zelda remakes, three of which were developed by GREZZO. The latest remake includes Link’s Awakening for Nintendo Switch. The Legend of Zelda: The Wind Waker HD was developed by Nintendo EAD, which built the GameCube classic from the ground up and added several upgrades.
Furthermore, Nintendo has released many of their unsuccessful Wii U titles – largely due to the failure of the console itself – onto the Nintendo Switch. You’ll find some amazing software like Donkey Kong Country: Tropical Freeze, Captain Toad: Treasure Trackers, Bayonetta 2, and Mario Kart 8 Deluxe, released with a visual update and some noteworthy updates.
However, I feel Nintendo still needs help when it comes to keeping some of their franchises alive. It goes without saying that we’ve seen more than a decade without the release of F-Zero or Golden Sun. The Nintendo Switch Online’s SNES Classics library misses a number of heavy-hitters such as Super Mario RPG and Donkey Kong Country. The lack of regular updates does not help its relevance who wish to see more titles. Even compared to the Wii Virtual Console from 14 years ago, Nintendo could do much better with the Switch online.
In the past, Nintendo released the Ambassador Program for 3DS. Featuring ports of GBA titles digitally released for 3DS, this feature was only available for people who owned the initial release of the 3DS. They were not seen again until they were released on the Wii U eShop For 3DS owners who enjoy playing these games on a handheld, this did not help them at all. Also, as many players are aware, Nintendo still refuses to release Mother 3 in the west.
For Nintendo, it’s a mixed bag. They remake classic titles and the upgrades make them even better. The Switch releases of Wii U titles give players hope we could see more classics like Super Mario 3D World embraced by fans who didn’t own a Wii U. But Nintendo also seems finicky, even compared to the aforementioned companies, when it comes to keeping their abandoned series fresh.
Until recently, Konami seemed to completely neglect digital preservation. In fact, they seem to have completely ignored the console and PC gaming market entirely. After the unceremonious departure of Metal Gear creator, Hideo Kojima, and Castlevania Producer, Koji Igarashi, their studio had become bereft of classic titles.
During the 2000s, the company released amazing titles like Silent Hill 2, Castlevania: Aria of Sorrow, Metal Gear Solid 3, and Contra 4. The 2010s, on the other hand, saw the controversial reboot of Castlevania (Lords of Shadow) and what many deemed to be an unfinished title, Metal Gear Solid V: The Phantom Pain. Even P.T. Silent Hills, a horror demo many players looked forward to, was scrapped completely.
The last few years, though, saw the release of Super Bomberman R, a return to form for the classic Bomberman series. Konami later updated the title with several free DLC releases as well as ports to the PS4, Xbox One, PC. In 2018, they also released Castlevania Requiem, which featured Castlevania: Rondo of Blood and Symphony of the Night (PSP version) for PS4.
But perhaps last year showed the biggest change in tide. Castlevania Anniversary Collection, Contra Anniversary Collection, and Konami Arcade Classics Anniversary Collection included many releases from the 80s and 90s. These titles even featured Japanese versions of their respective games as well as exclusive interviews. Even more impressive was that these were the first official releases of Castlevania Bloodlines and Contra Hard Corps, both initially released for Sega Genesis, in over 25 years.
We don’t know if this means Konami is throwing a bone to their fans or if they’re pushing back into the right direction. We can only hope to see them return to form as the gaming giant they once were.
While it’s important for game companies to keep pressing forward, by creating sequels and new IPs, it’s also important for fans to know where they came from. Releasing older games creates praise from players who want to try a new experience or relive their past memories. Furthermore, it establishes a relationship between the developers and the fans by listening to their requests.
As long as video game companies set a precedent, it might encourage other publishers to follow. Let’s hope that we can see the best of old and new from this decade onward. Maybe one day Sony might even release a remake of the PS1 JRPG classic, The Legend of Dragoon. Just maybe.
Which games do you wish to see return one day? Let us know in the comments below!