Fans familiar with Dance Dance Revolution, Taiko no Tatsujin, or Project Diva will feel right at home with the gameplay. To put it simply, you time your button presses to the rhythm of the song. You’ll watch the characters dance with snazzy moves and can even customize their appearance. The soundtracks include remixes of songs from their respective Persona title.
With that said, I went ahead and played the demo for Dancing in Moonlight and Dancing in Starlight. Since they’re both more or less the same game, barring characters and aesthetics, I want to cover them both in a single article and share my thoughts with you. If you’re a fan of Persona or Japanese rhythm games, then you will likely be interested.
What to Expect
The Persona Dancing titles feature a six-button scheme. Corresponding to the screen, you will hit one of three directions or one of three face buttons. Use the analog sticks to do a record scratch effect on certain waves while you match the buttons to the rhythm.
Background dancing will captivate you. Fortunately, it will not distract you from playing. While they’re available at the beginning, I strongly recommend clearing the tutorial before playing the two songs in each demo. For reference, try playing on Easy mode first to get the hang of it.
While the game’s tutorial advertises other modes within the full game, you cannot play them in the demo. Consequently, it never gives you the chance to really explore what the game has to offer. It might be worth checking YouTube to learn more about the extra modes before pouncing on any of them unless you’re sold by the gameplay immediately.
While Atlus tends to branch off to various genres in order to promote their games, they succeed in the process. In this case, from the demo, Dancing in Moon Light and Dancing in Star Light played like bona fide rhythm games. As a huge fan of Shoji Meguro‘s soundtracks, the music will certainly invite Persona fans to try the games.
I only played a little bit of DDR throughout my life. Some games, like Jubeat and others, appear at southeast gaming and anime conventions.
Until COVID clears up and people can venture out to conventions again, it might not be possible to recreate that experience for a while. With that said, if rhythm games are your thing, I recommend trying the demo (P3D and P5D) first before you leap to buy them.
Do you plan on playing the Persona rhythm titles? Let us know in the comments below. As always, be sure to follow our social media links below to take our latest, entertaining gaming content with you!
I’ve actually lived half a life that if I wanted to learn about the latest music, I go to YouTube, Vevo, or Vimeo. ‘The other half before, I would go to MTV, VH-1, or BET. This isn’t one of those “yesteryears articles,” so don’t worry. You’ll be spared of any stories. I thought I’d talk about some of the ladies of YouTube that I’ve been occupying my time with, lately.. .If you haven’t heard of them, you might be glad you just did. Each one of them are very unique, even amongst themselves, so I think you’ll be entertained by my choices These are my Guilty Pleasures: Divas of YouTube.
Yeah…I know. You try to find a better word for “woman who musically vocalises or stylises well.”
Well, it worked! Lion Babe is actually the duo of Jillian Hervey and Lucas Goodman, and I thought it was a diva that liked to show off her handsome boyfriend in her videos. Jillian Hervey is the singer/dancer combo we have all come to know and love in entertainment, and Lucas Goodman is a producer. I think that he plays guitar and some other instruments, as well as handling sound quality, but there is not very much written about him.
As a style, I would describe them 2 parts Erykah Bahu, 1 part Beyoncé at her funkiest, and a big pat of Doja Cat for thickening and smoothness.
“I have been kicked out of my home for being gay. I felt that.” –Brooke Candy
Brooke Candy is a straight up succubus that found YouTube and said, “Bet! I’ll never go hungry for souls and sex again!” Background-wise, Brooke Candy is a rapper/singer, songwriter, fashion stylist, and director from LA.
According to Zheani, she was a fan that was contacted, groomed, and then lured to South Africa to meet Ninja (Watkin Tudor Jones), where he gave her drugs, alcohol, and performed strange sexual and mental acts both with and against her will at times. This was a part of his conditioning to make her a convenient human sex object.
According to Die Antwoord, Zheani has been called everything from a former girlfriend, a fan, an employee, and even a satanic prostitute looking to come up. Ninja said he had her flown to see him, but felt “catfished” when she arrived. Even though he was displeased with her, he had sex with her, became friends, and even hired her.
I’m not going to get into the controversy anymore. I felt that I had to touch on it for her background. As for the rest of it, much of the money she got for her career she got as investments from crowdfunding and what she might call “creative marketing.”
What can I say about Zheani’s style? Zheani sort of reminds me of an anime pixie with an angel’s voice, and a sailor’s vocabulary. She likes to sing and rap about having a good time and screams about the bad ones…but it ALL sounds great! Of course when she vocalises about lighter and happier things, the melodies of the music fit; it’s almost two different great styles. However, I think she really shines when she’s angry or excitable, like in “Powder Tuff” and “The Question.”
I get the feeling that her name is more telling than people realise, in the fact that the personality is somewhat of a product. When I look at the total package of Snow Tha Product, I get the feeling that she and several individuals sat down to think of the best YouTube personality that she could become…and that is the brilliance of who she really is.
Snow Tha Product is just as entertaining and addicting to listen to when she spits English or Spanish. She’s sexy. She’s bold. She’s even cute when she wants to be. (not nearly as often as I wish she was, BUT…that could be a part of her charm that just isn’t meant for me)
Trivia: I believe that she is a mother of one son (about 11 years old), and said she wanted to be a social worker when she was growing up.
We are all products of our times, in some aspects. They try to mold us by their rules. ‘What’s acceptable for race, sexual, sex, professional, as well as so many other relations. As we grow up, we push, ignore, and create our own norms. The distance we travel and the morals that we establish, much to the dismay to the ones that came before us, become the new times that contribute to, and judge the new future.
I’m sorry, I tend to wax didactic. ‘Back to Ashnikko. None of the artists that I’ve mentioned in this article can really fit in a box. No style of anything should really be absolutely uniform or predictable. Ashnikko practices this concept very well. She raps. She sings, but what is her style? That’s hard to explain, because not only would Ashnikko not be able to exist 20 years ago, (Such fusions of styles and images would be far too unfamiliar and incompatible.) but her style is understood without words, as her image is almost cliché…for the times. (Am I the only one that could see her dating Oliver Tree for a second, only to have him stalking her for the rest of her life?)
Ashnikko is a sign of the times. She is an avatar. She is Hip Hop with a Punk aesthetic, an weeaboo frame, a digital coating, and creamy inside that has a slightly more refined and aged taste than you would expect. Oh, and she smells female. She smells extremely female, which of course attracts other females. This seems to give her some amount of pride as well, despite not really trying for any male attention, except as a target for her rage for being mentally inferior. (“Stupid”)
Ashnikko: She’s NOW! Try some! You just might like her!
“I don’t have to fake it. Real recognise real. They already know.” –Jessi, “Who Dat B“
Ho, ho, ho! I had to write about this lady! She is the antithesis of many of the other ladies on this list! She is from the East, heavily dipped in music and culture from the West, and her love is serious! ‘Don’t understand? Just how Zheani surrounds herself in otakukawaii in “LULU,” Ashnikko is portrayed in “Tantrum,” and Snow Tha Product gets down in her kigurumis in “NoWhere To Go,” Jessi immerses herself in the Hip Hop culture…However, Jessi can argue that Hip Hop IS her culture, and her claim to it is legitimate in almost every way. Let me explain…
Jessi was bourne Jessica Hyun-ju Ho, and as you might have guessed, is a Korean-American rapper/singer and songwriter. In fact, Jessi was bourne in New York, raised in New Jersey, and moved to South Korea when she was 15…Yeah, she was pretty much USAmerican when she moved.
I don’t know how attitudes are in South Korea, but I heard that North Koreans have a serious problem with Korean-Americans, and that would-be idols have suffered for it in the past.
Just like her Western counterparts that adopted music and culture from their opposite hemispheres, Jessi is attracted to the more flashy and attractive attributes of that music and culture.
“It’s been difficult releasing music, but I remind myself that everything made in love must permeate and keep us bonded together in strength.” –Whitney Tai, April 13, 2020
I have been enjoying this woman’s music for some time, now. I have listened to her music break through the mold of time and trend, and become something truly timeless. Even songs like “To Be Loved” seem to have matured and evolved, when listen to, in recent performances. Whitney Tai sings with heart, soul, feeling, and true talent, separating her from a sea of synth and autotune in her own atoll of sonic beauty.
If this was 4,000 years ago, Whitney Tai would be sunning herself in shallow waters luring mariners into the foamy depths with her beauty and song.
While Whitney Tai definitely deserves the lion’s share of credit for her growth, she has worked with many people along the way, including an inner circle of similarly talented musicians and professionals in the biz. Men like Tim Janssens, aka Sunfreakz, and Andrew Kingsley have worked with her for years on many occasions, forming a perfect synergy both on stage and in the recording studio.
In fact, Whitney Tai and Andrew Kingsley also have their own group, that like Lion Babe, is a full partnership in music, completely different from Whitney Tai in feel and style: The 1905
Whitney Tai dropped her latest LP, “Apogee,” a couple of weeks ago. Her single, “Surrender” is enjoying rotation on some impressive playlists at the moment, and is receiving great reviews from critics and fans of music everywhere. Her single, “Righteous,” comes out May 12, 2020.
These are some of my ladies of YouTube. There were quite a few others that I enjoyed to some degree, yet didn’t quite find them entertaining enough to feature in this article. I even contemplated making this a two or three part article, but in the end, I just wan’t feeling them enough. If you want to check them out, feel free: Alice Chater, Nitty Scott, Bebe Rexha, AleXa, SoRi, Ängie, Qveen Herby, and Kerli.
Some of them like Alice Chater and Bebe Rexha sound somewhat dated and ordinary, while acts like AleXa, Ängie, and Qveen Herby should probably work well on paper, but also seem ordinary. I guess at one time, they would have been a little edgy, but you can’t just say “pussy” and expect be shocking anymore. You also can’t depend on trendy directing in a cool music videos to carry a song, either.
The one honourable mention that I wanted to be on this list was SoRi, but there just wasn’t enough recent stuff from her released. From what I understand, she had some small amount of success about 5 years ago, and she is in the middle of her comeback, but two songs are not enough to get a good idea of her.
I should say that I was impressed by what was out there, and both songs and videos were very different from each other. This speaks to me of hopes that her style is very versatile and that there will be different sides to her as an entertainer.
So what do you think? After you get a chance to check out some hyperlinks and listen to some songs for yourself, please come back and and share your opinions. Share and start some discussions. We would love to hear what you think.
This started out as a hybrid article in the “What’s Cool Now” and “Guilty Pleasures” varieties, but I realised that if this really was so cool, I wouldn’t feel so guilty enjoying it. There is a cheesiness to it. I obviously don’t mind proclaiming my love for things I consider a little tacky or weird; those of you familiar with the older version of the site will remember my old “Guilty Pleasure” series. I just don’t want to be one of those folks that lies to himself thinking that just because I like it, it’s cool.
With that being said, join me as I take a small voyage of the senses, and introduce to you several artists that I think fall into the category of “Weird Rappers.”
I remember seeing this guy’s stuff maybe 10 years or more ago. I came across one of his videos, White Slavery, by accident. From what I can remember, it began with Necro in gimp mask giving shout-outs to some folks before he began rapping and eating a hot Italian meal in an aluminum takeout pan, on the ass of what looked like a sex-slave in distress. It was definitely unsuitable for YouTube.
At that time I thought he was just some creepy, weird internet gangster with delusions of grandeur. Who would be afraid of this guy? Who the fuck is this guy killing? How is he enslaving women and bitches? Who the fuck is he?
Well, for better or worse, that was my first impression. The atmosphere of the video is meant to illicit a strong response, but then Necro also opens his mouth…Holy shit…some of the most disgusting shit I’ve ever heard in my life poured out. This guy has imagination and problems…but it doesn’t stop there! The boy can rhyme!
Richard Pryor’s supposed words of wisdom come to mind: “You can’t just have no curse show!” In other words, Necro wouldn’t have amassed his cult following on just being some disgusting weirdo with the manners and vocabulary of some MARTA dweller. The boy can spit! Necro is so witty and inventive with is rhymes, with the sick and evil shit he says, you actually start to feel ashamed of yourself. You have to acknowledge the skills. Your body is moving a little without your permission.
Necro is definitely a gimmicky and dark themed rapper. I’m not saying that he really is a gangster that kills people, sleeps on mattresses full of money, and has a dungeon full of hoes like he raps about, but the darkness and inventiveness is there and real, nonetheless.
Tyler the Creator
Tyler the Creator is probably the most famous featured name on this list. He’s one of the founding minds of Loiter Squad, a group of dare stunt lovers in the same vein of Jackass (associates and producers). (Loiter Squad also created skit and prank comedy.) Who he is as a rapper is more complicated because of what he was.
Tyler the Creatorwas a young, brash, and irreverent well-spring of energy, testing the limits of taboo, his own creativity and powers of expression, and senses of daring and adventure. A lot of his style that I brushed off as just childish gibberish was kind of a clever camouflage for other issues. However, like anyone that puts such crypticallusions in their art, Tyler the Creator wants you to follow the bread crumbs to his secrets. He’s just not going to make it too easy or apparent for the average person that can’t handle them. He wants you to crack the code. He wants to be caught…Also, I do honestly think that some of weirdness was just for weirdness sake. (Yeah, that’s snarky youth for ya.)
Tyler the Creator needs to push you away three spaces for every one that he lets you in. I also think that in his creativity there is a mad scientist curiosity and amusement in seeing how people will react to aspects of his being, both what he presents and what they assume.
Okay, I just went a lot more into the person than his rap style, but that’s only because my ideas of him changed in listening to him and learning about the person. I think that you will always find the strange in his work. He is a stranger person. However, the average person often mistakes the strange, eclectic, or misaligned with goofy, immature, or mentally skewered.
Oh, BTW, if you haven’t seen any Loiter Squad, see you some. As a big fan of weird comedy, I whole-heartedly endorse them. If you like Eric Andre, I think you’ll like this; it’s comparable, but not exactly the same.
As a character, Oliver Tree is a weird vaping, bowl-cutted scooter boy with huge skateboy bell-bottoms, Physically, he a mash-up of the same version of the same weird boy circa 1991, 1998, 2003, and 2018, but that’s not all that’s so familiar about him. Oliver Tree also has so many aspects that are almost frankensteined from some of pop culture’s best weirdos. His bowl cut would make Moe Howard proud, not to mention Doc Ock, who would probably sign off on his specs as well.
Oliver Tree is sort of famous and I didn’t even know it. He has a song, Hurt, that has been getting good regular airplay for about a year now. Calling Oliver Tree a weird rapper may be a stretch. He is definitely weird, but he is one of those singy rappers. He’s got a unique voice that lends itself well to singing, rapping, and that weird place in between that his songs tend to live in half the time.
Oliver Tree’s musical style is almost two styles. Some songs he straight up raps. Most of his songs are actually songs complete with chorus, but in which he sort of rap-sings the verses. It all fits together, though.
As far as what Oliver Tree raps about, each song is like a conversation with someone that he is apologetic to for some sort of weird misunderstanding. Sometimes his songs feel like the confessions of an alien weirdo pleading his case to a jury in the Court of Normalcy. Other times they are upwellings of emotions from not being good enough.
I actually discovered Shakewell in a video that he did with Fat Nick (also featured in this article), for a song called Pemex. While I thoroughly enjoyed the combined efforts of the two, when it came time to examine Shakewell on his own, I was disappointed.
He’s all over the place. Sometimes he’s a redneck nobody. Sometimes he’s playing gangsta. Even his rapping style is inconsistent. Sometimes he’s a mumble rapper. Sometimes he goes T-Pain and sounds like he has a synthesiser shoved down his throat. It’s like he primarily uses hip hop to fuel his fantasies.
How does that make him different from a lot of hip hop artists or rappers? It doesn’t. I suppose that I expect a little bit more from indie artists; I think we all do. We expect a little more substance and integrity because these indie artists haven’t “made it” yet, but sometimes we underestimate the allure of fame and even near-fame. I think Shakewell likes playing the part of a rapper.
Maybe I’m being hard on Shakewell. Maybe I just don’t like his work. Maybe he’s just not so good. *shrugs shoulders*
Of the two, I would say that Fat Nick is the more lyrically talented of the two. Visually, he also more entertaining, plus he exudes a weird sort of rainbow-enema aura of positivity.
SonReal is a pop rapper. If I had to describe him, I’d say that if Weird Al Yankovic could do the fusion dance with Justin Timberlake, you’d get SonReal. I wouldn’t say that he seems very deep or has something to say. He just makes semi-witty rhymes that are catchy and easy to bob to.
I wish I had more to say about him, but he really didn’t strike me as much else as what I’ve said. He’s very polished. His strangeness is mathematical. His oddness is well rehearsed.
Before she was the wisecracking funny actress pigeon-holed into Asian comedies, Awkwafina was an internet personality that went viral in her response to Mickey Avalon’s own viral opus, My Dick. (My Vag)
‘Awkwafina’s rap style? In comparison to some of the folks mentioned here, her flow is much more natural. It’s also effortlessly clever. This could be because she’s just a cleverer rapper, but I think there’s a bit more to it. She raps like someone that not only listened to rap her whole life, but as someone that grew up in the culture that cradled and gave birth to it.
I know that Shakewell is this guy that messes with the guns and has boys around. I know that Fat Nick is a person of colour, and one of Shakewell’sBuffet Boys, but Awkwafina strikes me as more genuine. This little woman with the nasal voice of Asian mother complaining about why you don’t call home enough, and a Yiddish mother that does the same, actually has more authenticity in her being. It also helps that her rapping voice tends to me a silky smooth and laid back version of her speaking voice. The differences between Awkwafina and Nora Lum, besides voices, are probably very few.
With all of this said, I almost forgot to mention my favourite thing about Awkwafina: She’s really funny. I always get a laugh. She doesn’t have to be weird or goofy. She doesn’t have to try too hard. Awkwafina is a straight up clever, funny, New Yorker with some street in her bones.
If anyone else on this list could possibly rival the following that Tyler the Creator has, it would be Die Antwoord. Die Antwoord is the crazy South African rap duo of Ninja and Yolandi.Die Antwoord has a musical style to go with their lifestyle. Die Antwoord can be described as ranging from experimental electronic to heavy incorporation of both traditional Native African and contemporary African styles; a rapid-fire techie tinny, drum bassy, African sound blast that is Die Antwoord’s music, with words to match.
Somewhere in their songs I also feel a strong impression from some of the British club groups of the 90’s like the Stereo MC’s and The Shaman.
I wish I could be cool and say that heard about them because of their music, but I was introduced to Die Antwoord in Chappie. Supposedly their characters ended up taking shape very closely to the musical identities Ninja and Yolandi portray.
There were some bits of controversy about some racism, gay bashing, and human trafficking, (Ninja and Yolandi supposedly lured another artist to live with them as their sex slave), but eh: who knows.
On a personal note, I don’t know what to say about Ninja and Yolandi’s life together. I remember Ninja being very insistent that He and Yolandi were merely best friends to the point of family. Then I find out that not only do they have a daughter together, but they are married, and adopted three more children together.
There’s something in how you choose to describe yourselves, and perhaps the important part is that they consider themselves best friends that became family before any other definitions.
I’m sure that there are more weird rappers that I could list, but these are the ones that really stuck out to me at the moment I decided to write this. With the way that rap is evolving, and becoming more and more accessible to everybody, I think that many of the mainstream rappers would have been eligible for this list 10 years ago. Some of them I’ve only heard of, like Post Malone. Some of them, are actually very talented like Lil Nas X. This explosion of variety is to be expected with so much new blood coming from so many new places; the genre and its norms becomes that more fluid.
Here’s to weird rappers: for better and for worse. From serious to ridiculous, may they continue to be a guilty pleasure and not an embarrassment.